Christian «Chrisfader» Fleischmann
Bands
Band | Instrumente | von | bis | Anm. |
---|---|---|---|---|
Chrisfader & Mo Cess | - | - | - | - |
Chrisfader & Testa | - | - | - | - |
Chrisfader, DJ | - | - | - | - |
Chrisfader, Testa, The Unused Word | - | - | - | - |
Def Ill & DJ Chrisfader | - | - | - | - |
Mo Cess, Kinetical, Polifame, Yo!Zepp, Mosch, P.tah, Klaus Run, .... | - | - | - | - |
Polirac | - | - | - | - |
Restless Leg Syndrom | - | - | - | - |
SKxAngelite | Turntables | - | - | - |
Von Seiten der Gemeinde | - | - | - | - |
Von Seiten der Gemeinde x Da Kessl | - | - | - | - |
Yo!Zepp/Chrisfader/Testa | - | - | - | - |
Tonträger
Titel | Erwähnt für | Anmerkung | Beschreibung |
---|---|---|---|
...Speakin DJ | guestmusician | B19 | - |
1 1​/​2 Stund | guestmusician | Cuts | - |
Actuate | guestmusician | - | - |
Almen aus Plastik | produced by | - | - |
Chillin con Karma | guestmusician | - | - |
Die Vawandlung EP | guestmusician | Cuts track 01-03 | - |
Ghost EP | guestmusician | - | - |
Ghost Remixed | guestmusician | - | - |
Kreuzwort | produced by | track 7, 9 | - |
Lamo EP | guestmusician | Scratches | - |
Lift LP | guestmusician | - | - |
Love Is The Movement EP | guestmusician | Cuts | - |
Mastaplan | guestmusician | - | - |
Mastaplan Instrumentals | guestmusician | - | - |
Milch für die Fliegen | guestmusician | Cuts | - |
Overland | produced by | - | - |
Patch EP | guestmusician | - | - |
Post EP | guestmusician | Scratches, Cuts | - |
Raum & Zeit | recorded by | Scratches Track 4 | - |
Raum & Zeit | guestmusician | Scratches Track 4 | - |
Right To Vote | guestmusician | cuts | - |
Scratchmusic | produced by | - | - |
The Luv Bug | guestmusician | - | - |
The RAW Essence | guestmusician | - | - |
Think EP | guestmusician | - | - |
Totem | guestmusician | - | - |
Artikel über
Medium | Artikel/Art | Datum |
---|---|---|
2024 | ||
Issue: 17/24, Seite 33
|
KURZARTIKEL MIT TERMIN
|
26. Apr. 2024 |
2022 | ||
Issue: 01/22, Seite 30
|
PLATTENKRITIK
|
12. Jan. 2022 |
2017 | ||
Issue: 21/17, Seite 34
|
PLATTENKRITIK
|
24. Mai 2017 |